Meris' large box pedal means to give an alternate sort of premium reverb experience, tie in light of the fact that there will be Sharp edge Sprinter jokes. As a youngster I was entranced by the works of art of 1980s sci-fi, and obviously I'm in good company - the great people at Meris appear to be comparably fascinated with one film specifically.
The Mercury7 reverb was a magnificently expressive and strong pedal, propelled by the notable Vangelis Sharp edge Sprinter score. It was additionally one of the pedals that truly placed Meris on the guide and guaranteed that the organization would exist past a second lost in time, (similar to tears in downpour, ahem).
Then, at that point, last year they went significantly greater - getting the more extensive body the organization had made for the progressive LVX pedal to make something greater and more remarkable than the Mercury7. All I need from this survey are similar responses most of us need. Does it sound great? Is it simple to utilize? Is it a BigSky executioner? And the best anyone can hope for at this point is to stay there, and attempt to find out.
What Does the Meris Mercuryx Do?
Notwithstanding its common name, the MercuryX is undeniably something other than a swelled or iterative interpretation of the Mercury7. Like the LVX, the MercuryX includes some astounding tech in the engine, for example, a high level ARM processor combined with an excellent simple sign way and 24-cycle Promotion/DA with 32-bit drifting point DSP.
With eight custom reverb calculations (Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Corridor, Spring, Crystal, and Gravity), configurable reverb designs, types, and handling components, the MercuryX is equipped for everything from an inconspicuous spring tank trickle to the rich science fiction action words of the 1980s.
This is all settled serenely inside its 99 preset areas separated into 33 client banks, combined with a similar noteworthy connection point with full-variety LCD screen. More reverb than reverb? We should figure it out.
What Does the Mercuryx Sound Like?
As this is a run of the mill survey and not a Voight-Kampf test, I'm glad to manage with my handy dandy PRS S2 Vela and my Supreme Nighthawk 15 for our motivations. Did I gnaw off more than I was anticipating? Indeed! However, in the most ideal way conceivable.
Looking at a couple of the MercuryX presets, I'm immediately enchanted by the ones that provide me with a little example of the frightful synth-like cushions the MercuryX is prepared to do.
Tape Orchestra recurring patterns with a cushion like surface that would be comfortable on a Vangelis score. Range Shift offers quite possibly of the most gorgeous hus fi shine that I've heard.
It's totally melodic and never seems to be gimmicky in the manner that so many 'odd' reverbs can. Regardless of whether you're somebody who loathes the feared shine reverb (hi!), this is a colossally melodic and usable sound.
Similarly great is Amp Room - a sound that shows off the MercuryX at its generally inconspicuous. Be that as it may, this misrepresentation is practically more noteworthy than the fancy odds and ends sounds you'll see on demos. It offers a magnificently practical reenactment of an amp skipping around an enormous room. Truly an encounter to live in high constancy, right?
As of now, perhaps you're exhausted. Perhaps you need to be without anyone else. Who can say for sure? You peer down and see another pedal, Leon. It's creeping toward you at any rate, the MercuryX truly sparkles when you pair it with a portion of these different pedals.
Assuming that making everything from surrounding contribute shift defers soaked the dim stack of 80s science fiction sounds interesting to you, involving a postpone before the MercuryX opens a wide range of inventive potential outcomes that go past any enormous box combo I've encountered previously.
So Is the Meris Mercuryx Better Than the Strymon Bigsky?
In the event that you're searching for a tremendously imaginative and customisable reverb sound, the MercuryX is effectively quite possibly of the best-sounding model available. However, to contrast it and the BigSky nearly feels uncalled for to the two models - they are both top of the line enormous box reverb pedals, yet they're obviously intending to do very various things.
The Meris is a pedal about development, and pushing the limits of how you can manage a reverb unit - like Cutting edge Sprinter, it's genuinely vivid and significantly somewhere down such that I haven't found with some other reverb pedal.
However, similar to the replicant owl in Tyrell's office, that development includes some significant pitfalls. Should be costly? Very. In any case, this is an altogether unique sort of reverb pedal, and presumably the most exceptional interpretation of the huge box equation to date. It's a genuine demonstration of the large cerebrums at Meris for making something this artistically intriguing. I've heard things you individuals might have a hard time believing.
Meris Mercuryx Alternatives
On the off chance that you need a somewhat less overwhelming interpretation of the 'Cutting edge Sprinter reverb' idea then the Mercury7 from Meris ($299/£349) is as yet an immensely motivational pedal.
You can't discuss large box reverbs without the Strymon BigSky MX coming into the discussion ($679/£699), and in the event that you need something similarly expressive however a smidgen more one of a kind engaged (and the cost doesn't terrify you) then the Pursuit Delight CXM 1978 ($899/£879) is a magnificent pedal.
