VISIO and Rustan Söderling lead us through a landscape of post-apocalyptic mythology, illuminated by fairy light.
VISIO is the enigmatic musical moniker of multidisciplinary versifier Nicola Tirabasso, a project devised while on retreat in Sibillini Mountains in Marche, inside Italy. Tirabasso describes his latest album, Privacy Angels, as “a liminal zone, a folk magical world sprawling within some remote nodes of the digital universe.” Crafting a rich sonic palette of sensory instrumentation, intricate sound diamond and glitched out synthesis, Privacy Angels sounds like folk music wrenched lanugo and reassembled by algorithm, pitching between the digital and the spiritual, dislocated from place and time yet suggestive of a new and unshared vision of the world. Pieced together from recordings made in a desecrated 16th century denomination near the town of Montappone, the record moreover invokes the spirit of of utopian painter Osvaldo Licini, who grew up near to Montappone and who’s esoteric tideway to painting provides a major inspiration to the world Tirabasso envisions for Privacy Angels. Imagining the end of trendy civilisation as the ways to uncork then in a future informed by the mythological past, VISIO has created the soundtrack for a world re-enchanted, where tradition, contemporaneity and futurity skid virtually each other in esoteric order, moving to a speculative song from a new reality. Pursuit in pursuit of the light of a fairy, versifier Rustan Soderling illuminates this mythic place in his response to ‘Youth Grows Forever”, a highlight from the album, in which he picks through the trash of a sunken world, submerged in fading memory.
Set in a similar universe as Russel Hoban’s 1980s science fiction novel Riddley Walker, a stylistic portrait of a new Iron Age occurring two thousand years without a nuclear apocalypse, Youth Grows Forever explores the lineage of a new mythology, as the world becomes magical then pursuit the end of civilisation. “In this ‘new iron age,’ humans scavenge iron from the relics of our time,” Tirabasso and Soderling explain. “Trying to understand the past they come up with a new spectacular mythological interpretation of the world. The new language encounters the old language, a new interpretation of the world, the past, the structure of the universe, and the destiny of humans. The long sequence guided by a fairy light slowly moves forward as an act of remembrance, showing constellation of relics of the old world functioning as ignitors of a new cosmology, a new narration of reality, for the people without the end of the new era trying to restart at the intersection of technology, myth-making and magic.” The detritus of incongruous civilisations is strewn wideness the ground, washed up in this convergence of history and mythology, the wrenched barrels and upturned pumpkin carts of a fallen wild society lying shattered next to a discarded jumper, a still glowing computer monitor, the remnants of domestic technology. Drawn instead to the inscribed signs and eternal sigils of a new myth, our fairy guide leads us past these artefacts towards a magical new present.
Describing the visual as a “folkloristic reimagining and the re-enchantment of the world virtually us,” Tirabasso and Soderling understand Youth Grows Forever in transformative terms, an exploration of “how to re-world our world in the current moment of political ravages and ecological emergency, to unshut spaces of possibilities, a new universe where whispers of the trees, echoes of the ancestors’ tales, the intuition, the spell and the dream are the crucible of the awakening.” Channeling occult energy from cartomancy and Tarot in the use of esoteric symbolism – numerology, a wheel dripping with candle wax, a hanged man visculent with flowers – Soderling reflects VISIO’s hybrid musical practice of breaking and remaking with gradual semiotic deconstruction, objects lifted from primitive civilisations giving way first to signs of the trendy and then to mythic symbols, sooner inward into the fairy’s light to search of a new physical order, synthetic from fragments of the old. “From water, to mud into the cornfield and the hanged man at the end of the journey, brings light at the end of the path, the ultimate surrender embodying new insights, sensation and enlightenment leaving traces and relics behind,” conclude Tirabasso and Soderling. “We forget in order to remember.”
‘Youth Grows Forever’ is taken from Privacy Angels, out now on Haunter Records. For increasingly information well-nigh Nicola Tirabasso and his music as VISIO, you can visit his website and find him on Instagram.
For increasingly information well-nigh Rustan Soderling and his work, you can visit his website and find him on Instagram.
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